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Showing posts with label download. Show all posts
Showing posts with label download. Show all posts

Saturday, March 26, 2011

TIME - Overgrind 2 : The Critic - 2011 Download & Overview



01 On My Way (Prod. The Alias)
02 I'm Giving In (Prod. TIME)
03 The Truth (Prod. TIME)
04 Nowhere Fast (Feat. Cashmere D & AJ Vash) (Prod. TIME)
05 I'm So Appalled
06 Carefree (Prod. The Alias)
07 Symmetry (Prod. TIME)
08 Get Mine (Prod. TIME)
09 6 Foot 7 Foot
10 Winning (Prod. TeflanDon)
11 Organic Relaxation
12 The First Step (Prod. TIME)
13 Hate Love (Prod. TIME)
14 Lord Lord Lord (Feat. AJ Vash & Wes Duce)
15 Fly (Prod. PLAN)


Overview
Fuck an overview. Form your own thoughts. That is all. Enjoy.

Monday, March 21, 2011

Wiz Khalifa - Rolling Papers (Album Review)


1. When I’m Gone
2. On My Level (Feat. Too $Hort)
3. Black And Yellow
4. Roll Up
5. Hopes & Dreams
6. Wake Up
7. The Race
8. Star Of The Show (Feat. Chevy Woods)
9. No Sleep
10. Get Your S**T
11. Top Floor
12. Fly Solo
13. Rooftops (Feat. Curren$Y)
14. Cameras


When I'm Gone - This is cool. The beat is nice. I don't like the hook at all. I think this may be the first time I ever cringed when hearing a Wiz hook. It doesn't really feel like an intro. It's not bad but it's not really good either.

Get On My Level - I know this song is old but I never bothered to listen to it because it features Too Short (Can you blame me?). This has a cool little vibe. I love the synths Jim Jonsin uses. The hook is nothing special but it works. The verses aren't anything special. I can listen to this one, though. Right after I remove Too Short's verse.

Black & Yellow - Double Platinum.

Roll Up - I take back what I said about the intro. THIS is the first Wiz hook that made me cringe. I understand why the song exists but, damn, this shit is corny. It will probably sell just as much as Black & Yellow.

Hopes & Dreams - This beat is dope! I don't really care for the hook but it's not trash. I like everything else about the song. Smooth vibe. 

Wake Up - Another StarGate beat. I'm going to go cry in the corner now. What the fuck is this? I guess they had him make a pop album. He has used the same flow on every song thus far. Yeah, this pretty corny.

The Race - I heard this before the album and is the only song from the album that I like so far. Smooth track. Great production and a dope hook. Definitely a stand out.

Star Of The Show - Let me start by saying Chevy Woods is pure garbage. This sounds like a 40 (Drake's producer) beat. The hook is okay. Honestly, it sounds like he's trying too hard on this one. Either that or he's not comfortable with the music. It's lacking emotion.

No Sleep - This is garbage. I knew he was going to make some pop shit but not a pop album. I am highly disappointed. 

Get Your Shit - This beat sounds dope but it's ruined by another cheesy, pop, hook. Again, he's using the same flow. This beat is nice, though.

Top Floor - I can't stomach this shit anymore. I literally feel sick. This guy has so much talent but he chose to sell out.

Fly Solo - LOL. "Same song to a different beat." He knows he's making bullshit. This is one of those generic pop rock songs. 

Rooftops - This track features Curren$y so hopefully it won't be pop. This hook sucks too. Curren$y delivers a solid verse which, besides "The Race", may be the highlight of the album.

Cameras - You know this is going to be pop as soon as it comes on. This is SUPER pop. This is garbage as fuck. 

Overview
I can't believe it. I knew his sound was going to change but I don't think the change in any artist's sound has ever been THIS drastic when going from underground to mainstream. This shit is absurd. He went from a weed rapper to a pothead pop singer. This album has NO soul whatsoever. None of this is real. Like he says on "Fly Solo", "Same song to a different beat." That's all this album is. You can argue that his old shit was the same way but at least they were rap beats. At least the hooks were good. This is watered down GARBAGE. The highlight of the album is "The Race" and by highlight I mean the only song worth listening to. The album has great (pop) production and that's where the positive things to say about the album run out.


Pusha T - Fear Of God (Mixtape Download & Review)



My God - We've heard this. I don't see the hype in the track. He's not saying anything amazing and the beat is rather annoying. Repeating "my god" a few times doesn't constitute a chorus.

Money On My Mind - Will this guy ever change his flow? If you're going to just rap simple punchlines you have to at least have a creative flow to keep people entertained. How do you think Wayne is so successful?

I Still Wanna - This is pretty dope. I like the beat. Still the same ol' shit from Pusha. This chorus is horrible and why does it sound so funny? Ross saved the song but it seems like his vocals are way louder than Pusha's. Ab Liva had a nice verse. It's a solid track.

Feeling Myself - This sounds like that "I'm Still Fly" song Drake had with Belly. No love for the ripped off hook melody. The beat is cool, though. Get shot like a freethrow? I know some people who said lines like that when I was 16. I won't be revisiting this one.

Blow/Funk - I like the feel of this one from the beat to his flow. I just wish he could find some better subject matter. The coke talk is getting REALLY old now. Good track if you can tolerate the drug mentions. 

Cook It Down - LOL. This is sad. Not the rapping but the hook. If the hook is going to sound that bad just don't use one. This guy isn't creative at all.

Open Your Eyes - This is just boring. I think he's trying to be deep. Same flow, same lack of soul, and the same forced coke raps. I can't stomach this shit.

Can I Live - This nigga better not ruin this beat. This guy goes in the overrated rapper category along with Jadakiss and Busta Rhymes. I wonder how Jay-Z feels about this.

Raid - This beat sucks. The hook sucks. Oh, AND it features 50 cent. I'm going to skip to the next track now.

Touch It - How are you on GOOD music and still cant get good production? This beat is wack as fuck. I'm going to skip this garbage as well.

Speakers Goin Hammer - He's actually spitting on here. About time. 

Alone In Vegas - If you're going to be a shallow drug rapper be a shallow drug rapper. Don't try to randomly get deep because people, like me, wont respect it at all. It's an okay track. I just feel like nothing he says is genuine.

Overview
With all the hype I figured this mixtape would at least be decent but honestly it sucks. I've heard better projects from no name rappers on the internet. This seems like it was rushed and it seems like he didn't have much to say in the first place. I'm sure I'll see my whole timeline (twitter) praising it and what not but I don't see whats good about this at all.

Friday, March 11, 2011

The Original Dom Kennedy (MIXTAPE Review & Download)


01 INTRO
02 PLAYAS PUNCH
03 GOODBYE
04 THE HOMIES
05 TURN ME OUT
06 BET YOU WANT ME (NOW)
07 DESIGNER SH_T
08 CAN'T LET GO
09 CDC feat. Casey Veggies & cARTer
10 N_GGA 4 LIFE
11 ON THE WAY HOME
12 [BONUS] WHEN YOU SEE LOVE


Intro - The intro is a just some talking. A story.

Playas Punch - This is the definition of west coast production. Smooth with a funky bassline and some smooth synths. This was a short track. Just a verse but it was pretty dope.

Goodbye - On here he's spitting some real shit. Talking about the grind and how you have to start from nothing to get to where you want to be. I don't really care for the hook but it's not bad. Overall a solid song.

The Homies - The production on here is definitely west coast. I like the shot at Funk Flex because him taking a shot at Pac after his death was a bitch move. He's talking about his homies. This is a cool track but would be better with a real hook.

Turn Me Out - This is a cut for the females. It has a cool vibe and I like the beat. I like the verses but, again, I don't really care for the hook. By the end of the song the hook grew on me. Dope track.

Bet You Want Me (Now) - This reminds me of some Drake shit for some reason (not a bad thing). It's the beat and tempo of the flow. I really like this one. This is dope as hell. My favorite track so far.

Designer Shit - This beat is too dope. I like this a lot too. This just took over as my favorite track. I don't even have much to say. It's just a dope ass song.

Can't Let Go - OK Dom. No singing for you. This is wack. You sound like Diddy, bro.

CDC feat. Casey Veggies & cARTer - I think this is supposed to be some "A Milli" shit. It's cool. This guy Casey Veggies sucks. cARTer sucks too. I don't even know which is which but everybody except Dom was pretty wack on this one.

Nigga 4 Life - This is dope. He's spitting some real shit on here. Pac talking on the hook. I like this track too. Kind of inspirational.

On The Way Home - This sounds like Kid Cudi if it was his first time behind the mic. I'm not feeling this at all. He's rapping too old school or something. I don't know what the hell this is supposed to be.

When You See Love - This is cool. Smooth track. I like it. The hook is dope.

Conclusion
Dom is nice on the mic and he proves that on this tape. It's not Lupe level lyricism but it's good. He's just spitting everyday shit that people can feel. My main gripe is the lack of hooks but I can't be too mad because he mentioned it himself in one of the verses, stating that his focus was on "rhymes". It's definitely a nice project. It doesn't seem incomplete or anything. I just hope he has a full fledged album in the works because I want to hear him on some different shit. You can tell he didn't really have a particular aim for this tape as the subject matter stays the same on most tracks but it is good for what it is. Worth a spin so check it out at www.DopeItsDom.com

Thursday, November 18, 2010

T.I. - Rise And Fall Of The King


In 2001 TI came on the scene with his debut single "I'm Serious" (which was also the name of his debut album). It featured Beenie Man on the hook and production by The Neptunes. We all remember the song but I honestly don't remember anyone liking it. I'm Serious was basically TI trying to find himself as an artist and create his own sound. If you compare it to his other albums the subject matter is basically the same except on I'm Serious he rapped about being a good rapper more often than he does now.

Let's fast forward two years to Trap Muzik. The new and improved TI came back with a HIT single produced by Jazze Pha called "24s". It was a high energy club/street BANGER that took over airwaves almost instantly. When the album dropped TI had officially solidified his spot at as heavyweight out of Atlanta. He had created a lane for himself and others for years to come.

We thought TI's career was going to come to a sudden stop in March of 2004 when he was sentenced to 3 years in County Jail. A month later, by what seems to be the grace of God, he was released from jail on a work release program. He quickly began working on his third album Urban Legend. The album, although not as good as Trap Muzik, went on to sell more units than its predecessor.

Between Urban Legend and King TI had began to beef with rapper Lil Flip from Houston. This was not a 50 Cent type of beef as the rappers eventually came to blows over the situation. In 2006 King released alongside TI's first movie ATL. They had a genius marketing plan in not releasing an official soundtrack for the movie. Instead they promoted King as the soundtrack. The lead single "What U Know" is still one TI's biggest hits to this day. He also received a Grammy for it.

While riding the wave of his recent success TI was involved in an altercation that would change his life and the way he looked at music forever. During one of his concerts in Cincinnati a fight broke out between 2 concert goers and TI's crew. The fight spilled outside the club and turned deadly for his longtime friend Philant Johnson after the crew's SUVs were followed and shot at. After this incident TI withdrew himself from music and the public eye for awhile.

In July of 2007 TI released TI Vs TIP which, in my opinion, was a horrible concept. This album is looked at as pretty bad by most of his fans but they don't blame him because of what he had been through before working on the album. He said himself that he didn't know if he wanted to create music anymore. Despite the bad reviews the album still achieved platinum status.

Four months after the release of TI Vs TIP the king was caught with some HEAVY firearms by the Federal Government. He was set up by his bodyguard who had recently been caught buying guns illegally. This arrest took place just four hours before he was to blaze the stage of the BET Hip Hop Awards in his home town. TI was on house arrest for a little over a year pending trial. He released Paper Trail in September of 2008 which received great commercial success spawning multiple multi platinum singles including his biggest hit "Live Ur Life" featuring Rihanna. The album itself went on to go double platinum after selling gold in it's first week.

On May 26th, 2009 TI began serving his, one year and a day, prison sentence. On December 22nd, 2009 he was moved to a halfway house in Atlanta where he would finish out the remainder of his sentence and be released on March 26th, 2010. He came back and released a couple luke warm songs then dropped a mixtape full of old throwaway songs that never made albums called "Fuck A Mixtape". While most of his fans say they loved it the mixtape felt like an insult to me. You've been gone for a year. Your fans aren't worth a few new songs? But hey, I guess he knew what he was doing because all of his new songs are just as bad as those.

I don't know if he's out of touch with music from being in prison or if he just doesn't care anymore. His newer songs lack emotion and creativity. They just come off as generic and he is showing no type of progression. In fact, it sounds like he has regressed. With song titles such as "Pledge Allegiance To The Swag" and "Mr. Kodak" you know he's lost. The fact that the whole trap sound is dying isn't really helping him either. Now he can't go back to his roots and he doesn't know how to move forward.

On top of that he's BACK in jail as of November 1st for a drug possession which is a direct violation of his probation. He was caught on September 1st after his Maybach was pulled over for making an illegal u-turn. The police smelled marijuana, searched the vehicle, and found other drugs.

Going to jail THAT many times can't be anything but detrimental to your career no matter who you are. TIP I hope you get your act together musically and legally. I'm still going to give No Mercy a fair chance but I honestly don't have any expectations for it at all. TI is going the Cam'Ron route except Cam didn't have to go to jail to fall off. It is sad but you have to know when to let go.

Sunday, November 7, 2010

J. Cole : The Write Up (My Thoughts On His Career)


*DISCLAIMER*

This is just my review of J. Cole as an artist. It is very detailed thus it is not a short read.

The new General of the Internet Soldiers (as cosigned by Joe Budden) seems to have some of the most annoying fans in the world. Yes, J. Cole can rap. A lot of people can rap. This guy makes some of the most boring music I've ever heard. His topics range from rap to north carolina, to his weak ass struggles, to the hood, to college, and finally to the degree that we ALL know that he received from college (because he mentions it in EVERY song). 

He's been signed since 2007. He still has no buzz outside of the internet. He's basically the non emo, less lyrical version of Joe Budden. He's already getting the same treatment that Joe did except his album got to drop and it went gold. If you pay attention you would see that Jay mentions Drake more than he does his own artist. J. Cole is the perfect proof that rap ability is damn near meaningless when it comes to making good music. Even some of his fans say he needs a lot of work with making songs. A label is not going to be able to sell records based off of your lyrical ability. It just doesn't work like that. What? You thought it was still the 90s? 

Let's break down his sound. It's simple. J. Cole is a poor man's Kanye West (College Dropout era) with watered down subject matter/beats/hooks and VERY minimal songwriting ability. From the beats to the rhyme patterns it's all old 'Ye. I don't see how you can just look past the blatant style biting and from an unworthy artist nonetheless. The first thing you have to do Mr. Cole is stop doing those 24 and 32 bar verses on every song (they're fine in moderation). You're not that nice, sir (no one is). Next, you have to actually finish your beats. Third, you need to buy some hooks until you learn how to write them.

People like to compare him to Drake which is honestly a joke in my opinion. Drake was signed 2 years after J. Cole and already has a platinum debut album while Cole is wondering if his album will ever receive a release date. People will say "He's a better rapper." but is he really? Punchlines are not the only way to be lyrical. Drake may not be the most lyrical but he definitely gets his point across is a manner that isn't hazardous while operating heavy machinery. Cole seems as if he's trying so hard to impress the listener that he's actually not saying much at all. It's the exact same thing he said in his last verse and the one before it. Let's just say he is the better rapper. Who is making the better music? 

I'm all for lyricism but what happened to being complete? Jay-Z is a complete artist. Nas is/was a complete artist. Lupe is a complete artist. Even Joe (Budden), when he's not on those weak ass J Cardim beats, is a complete artist. They're all lyrical yet they know how to construct songs that don't serve as audible Ambien. At the end of the day music is music. A lot of music doesn't even have lyrics so you can't say something is good just because of "good" lyrics. If all you care about is lyrics you should hit up some local poetry readings. Leave music to the musicians. 

Don't worry, all hope is not lost. He just needs guidance but that innocent college boy rap isn't going to get him anywhere. He might want to get the fuck away from Jay too. Jay is that nigga musically but he isn't the best judge of talent (Bleek) or character (Beans). Besides I think if Cole were to go independent he could have a nice little career on some underground shit. Being on a major isn't doing anything but hindering him.

Saturday, November 6, 2010

Joe Budden - Mood Muzik 4 (A Turn 4 The Worst) RETAIL


01. Pray For Them
02. Come Along
03. Remember The Titans (featuring Fabolous, Lloyd Banks & Royce Da 5′9″)
04. Short Summer (featuring Emanny)
05. Role Reversal
06. Mop Salad (Skit)
07. Black Cloud
08. Follow My Lead (featuring Joell Ortiz)
09. Weekend Warrior (Skit)
10. Sober Up (featuring Crooked I)
11. Hello Expectations
12. Something To Ride To
13. Stuck In The Moment


This is NOT the same as the mixtape that leaked a few weeks ago. This is the full retail release featuring a few different tracks and does not contain songs that had uncleared samples. Get it now.

Tuesday, November 2, 2010

New Music : Cee-Lo Green - The Lady Killer



Just came across this album on good ol' Twitter. I'm listening to it as I re upload it. Yes, I'm a blogger with integrity. I don't steal links, just music lmfao. This is sounding amaizing so far. I'm on "Bodies" and so far the album has a very old school feel. Some with a twist of MJ (upbeat and downtempo) and others with more of a 50s or 60s era feel. I'm gonna go out on a limb and say that Bruno Mars and crew (The Smeezingtons) handled the bulk of the production on this album. They have brought back the old school feel but they made it current somehow. It just works. Anyway check it out. I may revisit this post but I don't wanna type an essay lol.



1."Lady Killer Theme (Intro)"  
2."Bright Lights Bigger City"  
3."Fuck You"  

4."Wildflower"  
5."Bodies"  

6."Please" (featuring Selah Sue)
7."Satisfied"  
8."I Want You"  
9."Cry Baby"  
10."Fool for You" (featuring Philip Bailey)
11."It's OK"  
12."Old Fashioned"  

13."No One's Gonna Love You"
14."Lady Killer Theme (Outro)" 


One last thing. "Fool For You" has to be a single.